QUOTE(Tonye @ Jul 31 2003, 6:54 AM)
I have downloaded music like the rest of everyone, and other files as well. I don't think I stole anything since someone bought it, then decided to share it to anyone on the net. It would be no different than a person making a CD copy and giving it away to people, or loaning the music CD to someone or selling it at a yard sale or swap meet.
You did steal something. If someone bought it and put it on the Net, that person broke the law.
It is legal to sell the CD to someone else
as long as you do not keep a copy of it yourself. It is NOT legal to make a copy and give that copy to someone else, just like it is not legal to make a copy of a computer program and give it to someone else. The copyrightnot belong to you. You do not have the right to make copies of it and give it away.
Any time you are copying any copyrighted material without paying for it and without the permission of the copyright owner, you are breaking copyright law. That applies whether you are downloading a song or a video, taking a picture from a Web site, photocopying a book, or copying a computer program.
Having said that:
The Recording Industry Association of America is not actually suing people because they want to protect copyright; that's a smokescreen, a dog-and-phony show to distract people from their real motivations.
The interesting thing about the "theft" of music on file sharing networks is that it's not really about money. During the Napster debacle, the RIAA (Recording Industry Association of America) commissioned a study to prove how much money they were losing because of illegal downloads.
The findings? Record sales go UP, not down, when an artist is traded on Napster.
Why?
Exposure. Same reason that record sales go up when a song is played on the radio.
And that's what it's really all about.
In order to understand why the RIAA wants an end to all online music trading, you have to understand something more basic: Why do record labels exist?
Let's say I have a band. I want to cut an album. If I sign a standard recording contract, I will probably never see so much as a dime from record sales. (Contrary to popular belief, most bands never profit from album sales, unless the album is a huge hit. 100% of the album sales go to the label.)
I only see money from concert tours and ancillary sales (T-shirts and the like).
So why on Earth would I sign with a label?
Why do record labels exist?Record labels exist because in the days of vinyl records, it cost right around $100,000 to cut the master for an album and set up production--not including studio time, engineering, and other production costs.
Most artists could never afford it. Most artists, unless they were already wealthy, could never hope to shell out the $100 grand it'd cost to produce a record, much less the cost to warehouse it, distribute it, and so on.
Enter the age of the compact disc. It costs about $1,000 to master and produce a CD, complete with cover art, jewel box, and the whole kit. CD production costs about 37 cents apiece in quantity. These costs are easily within the grasp of most people; you do not need the financial capital of a record label in order to produce your own album.
But nobody will BUY the album if they don't
know about the album.
So you are still stuck. You have to sign with a record label, because the record labels control what gets distributed in stores and what gets played on the radio. (Radio stations are paid by the RIAA to play songs. They typically don't play it if the RIAA doesn't tell them to.)
Enter the Internet. With MP3s and the Internet, now you can make your own CD, AND you can market it, and reach a huge audience...in fact, it is possible for an average person, with no financial clout behind him and only average resources, to record an album, master the album, promote the album, and get it out to listeners--
without the record labels!THAT is what it's about.
If you can start a band, make a CD, market the CD, and sell the CD, and have your CD go platinum, all without the record labels, then the record labels will cease to exist. No more $250,000,000 salary for record label CEOs. No more 10,000 square foot houses in Aspen. No more mistress in Miami.
It's about exposure. The labels absolutely, positively
can not let individuals like you and me get music out to fans without their help. if they do so, the entire billion-dollar empire collapses.